To what extent can Ozymandias be seen as a Marxist text?
This poem Ozymandias was written in 1818 by Percy Bysshe
Shelley. The reason he wrote this was in a friendly competition with his friend
Horace Smith to convey Ramesses || and his discovery that lead to Ozymandias’
statue being in the London museum in 1821. Shelley was a Romantic and in all
his work he focused on emotions and nature. Ozymandias was transience as his
statue was made as a symbol of Ozymandias’s ambition, pride and absolute power,
this poem suggests that kingdoms and political regimes will eventually crumble,
leaving no trace of their existence. Shelley is a Bourgeoisie that was expelled
from Oxford University for blasphemy and he was forced to publish his work
under another name as he was ‘too dangerous’.
Shelley demonstrates the role of the class system within his
work and the inequality between the two classes. The traveller mentions about
the statue and how ‘The hand that mocked them and the heart that fed’ at the
time that Shelley wrote the poem ‘mocked’ used to mean to create, as in the
person who had created this statue, but also a new meaning came in, as now in
modern times we know ‘mocked’ to mean taking the mick. Shelley infers both of
the meanings, as although someone had created it, which was the proletariats,
and Ozymandias took the mick and exploited the proletariats as they did all the
work that Ozymandias is remembered for. Ozymandias implies that his ‘works’,
works of art like the statues, pyramids etc. are the best around. He think
highly of himself politically and artistically as Ozymandias calls himself
‘kings of kings ’, but really under the iceberg
all his legacy is of the work that the proletariats have done, but they
don’t get remembered as Ozymandias has the hegemony. The traveller in the poem
says the statue is a ‘colossal wreck’ the statues fragmentary state indicates
the emptiness, long-term, from Ozymandias’s gasconade.
When Ozymandias’s statue was described he was expressed with
a ’sneer of cold command’ this shows us that Ozymandias was a tyrannical figure
as he ruled from his power and exercised that in a cruel, inhumane, merciless
way. He looked down on the artists, workers which were the proletariats and
they were marginalised and alienated from prestige in any context. Also,
Shelley expressed the class divide by the structure of the poem, the author is
a Bourgeoisie and he put a complex sentence in order for the sonnet to sound
epic and timeless. Just like Ozymandias he wanted his work to make an impression
and last a legacy, which it did as it’s classed as one of his best works. Also,
Shelley didn’t even care about writing this poem to make a change, as it was a
competition he did it for entertainment and not for change or for citizens to
question society.
Shelley was a Romantic, and this meant that they were a sub
culture interested in revolutions such as the French and industrial as they
overthrew the aristocracy, Karl Marx, a Marxist always wanted communism to
happen, but due to the ideological state apparatus that the Bourgeoisie have
put in place means that the proletariats are in a false-consciousness until
something such as the proletariats lack of political power become so low they
need to revolt. Neo- Marxist, Gramsci believed that the proletariats were aware
of their exploitation and just stay passive and let it happen as oppression
cannot be overcome. Romantics like to rebel a lot as they like to stay true to
themselves, so if something contrasts with their views they will rebel against
that view. In Shelley’s poem he refers to the nature of the statue and the
‘remains. Round the decay’ this not only links to the nature of the ancient
statue eroding, but the fact that Ozymandias’ legacy is decaying and people
aren’t remembering him of the mighty
great king he thought he was. As soon as Ozymandias died, as a result of
nature, and then life just carried on. In the class relations of the poem, the
proletariats get ignored, as throughout the poem they don’t get a mention once.
There is no evidence that the proletariats ever ‘changed’ society.
Finally, in the poem social conflicts were ignored, there is
no focus on conflict between Ozymandias and his subjects (the proletariats) as
they have no voice or movement towards the treatment of Ozymandias. There is a
depressing result to oppression as it cannot be overcome, and Neo-Marxists
could argue that the proletariats know that and that’s why they don’t do
anything. Oppression is endless, and this just reinforces the ideology that the
proletariats can’t win, which results in their alienation. Shelley mentions
‘yet survive, stamped on these lifeless things’ this could be a reference to the
Bourgeoisie exploiting the proletariats, and the passive movement that the fact
the proletariats don’t doing anything about it. Or another meaning could be
that Ozymandias works the proletariats so hard for his monuments to be made
that the proletariats are exerted and tired but still live to work under
Ozymandias.
Abby
ReplyDeleteLook again at your opening paragraph. It currently lacks the required formality.
I have altered your sentences below so you can see the style which is needed
"This poem Ozymandias was written in 1818 by Percy Bysshe Shelley. The reason he wrote this was in a friendly competition with his friend Horace Smith to convey Ramesses || and his discovery that lead to Ozymandias’ statue being in the London museum in 1821."
"Ozymandias was written in 1818 by the Romantic poet Percy Bysshe Shelley. Ironically Shelley was inspired to write Ozymandias as part of a friendly wager with his friend and rival Horace Smith. Both men belonged to the bourgeoisie, and had no direct experience of poverty or oppression, however the romantic movement was regarded as both radical and revolutionary in that it sought to challenge accepted norms and rules. The focus of their work was the discovery and appropriation of a statue of Ramesses II and its subsequent move to the London museum in 1821..."
It is essential that an intro conveys key ideas about both text and author. You can see from my tweaks that I identify Shelley's class and status, this will then enable me to later critically evaluate both the work and the purpose.
I'd like you to continue improving your introduction by making parallels between the subject matter, the poet and Marxist beliefs.
Before beginning you analysis in p2 try and offer a brief summary of the poem, you should also be able to connect the 'story' of the poem to Marx's view on society and the inevitable rise of socialism (you've included this idea in p3).
Try to also link the individual 'Ozymandias' to the bourgeoisie, view him as a symbol of oppression throughout time rather than simply a 'one off'.
In p3 try and discuss whether you find the poem optimistic or pessimistic, does it offer hope or desolation or both?